(note: all images copyright of Moose Henderson)
As a wildlife photographer, we typically take
pictures of the same animals everyday. It is important to have a plan or
strategy for your photographic outings. Let’s assume you have a
cooperative bird or animal that you can spend a fair amount of time
taking images. Let’s say you are spending a week at a nature park like
Yellowstone National Park where the animals are plentiful. You certainly
do not want a weeks worth of the same images of the same animal. You
want a variety to meet multiple needs of the future buyers of your
images. Editors of magazines are famous for requesting a variety of
images. Guess what, Dreamstime also want variety; submit 40 images of
the left side of a squirrel and count on one or two being accepted. The
following is my approach when I have a cooperative animal.
Classic ID Picture: One of the easiest images to obtain is the classic guidebook or identification book image; usually a profile or three-quarter view of the entire animal. I always try to get both a horizontal and vertical classic ID image. Here are a couple examples; a Cottontail Rabbit and a Bald Eagle. Because the cottontail rabbit is named for its classic white rump, it is important to show this area in your identification image.
Classic ID Picture: One of the easiest images to obtain is the classic guidebook or identification book image; usually a profile or three-quarter view of the entire animal. I always try to get both a horizontal and vertical classic ID image. Here are a couple examples; a Cottontail Rabbit and a Bald Eagle. Because the cottontail rabbit is named for its classic white rump, it is important to show this area in your identification image.
Portrait Image: Getting the portrait image is a bit more of a challenge because it requires you to be close and intimate with the animal. Most times a portrait is vertical orientation but I try to get both. I like my portraits to have nice soft lighting without harsh shadows. I like this coyote image, moose and female mountain goat image because they show the character of the animals.
Cover Shot: I try to get a classic cover shot
which is a vertical orientation photograph with room on the top for a
banner and some room on the sides for print. A cover shot is usually
pretty dynamic, colorful and eye-catching. This Great Blue Heron at the
Venice Rookery has excellent lighting and is a classic cover shot.
Action Image: If you are photographing birds,
action could be flight images or feeding images; even something so
simple as a bird stretching or opening their beaks provides a good
action shot; remember to do both vertical and horizontal. If you are
photographing animals, an action shot could be animals catching food or other activities.So, when you are out photographing, don’t just accept what enters your viewfinder. Plan your strategy so that you look for the interesting shots and you are prepared for them when they happen.
I am always in awe of your talent and the raw beauty of your subject matter!
ReplyDeleteThank you Sheila, that means so much to me to receive your admiration.
ReplyDelete